Outside of the palazzo, all is shot in very real Venice. This time, however, rather than find himself cloistered on a train or a boat, Poirot will need to ply his trade in that ever-mysterious, hard-to-navigate city. But all their Gothic exertion can't summon the dark magic needed to make the movie truly weird, nor the kind of baroque trashiness that might have sent it enjoyably over the top. Maxime, the ex-fiance of Rowena's daughter, is the most stigmatizing of the characters. One of the primary locations is the Laguna and the island of San Giorgio Maggiore.
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