Rzepa demonstrates that Eliot understood modernism as embedded in theological thought. Olga G. In twentieth-century Europe, literary adaptations of biblical stories were by no means extinct. Nevertheless, together the editors have compiled a remarkable volume that scales the length and breadth of the Americas from the nineteenth century to the present, examining many of the languages and literatures that have come to be called Latin American, bringing specificity, regionality, and complexity to translation studies. Providing analyses of French, Italian, German, Spanish, English, and Irish drama, the book covers key aspects of Western European history of drama and drama theory against diverse cultural and temporal backgrounds.
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